I have been writing this blog for several weeks now. I would like to write a post about Roy Lichtenstein art. Roy Lichtenstein art is a great investment. I will be giving some examples of the art work of Roy Lichtenstein. A few years ago the bid for a Roy Lichtenstein art piece was $112 million dollars, but it never sold.
Tone:professional
Lichtenstein Art
Roy Lichtenstein was an American pop artist. During the 1960s, he created paintings based on mass media images. His work directly copied images from commercial sources such as advertising and packaging. This type of work was a critique of the artistic pretensions of Abstract Expressionism, which was one of the dominant movements in the New York School during that time. He used oil and Magna (latex) paint to create large-scale paintings that contained familiar objects from popular culture such as cartoons and advertisements.
Towards the end of his career, Lichtenstein began to make sculpture using a technique he called “duplication.” He would use a photograph or painting as a template for making a sculpture by pressing a thick layer of wax over it. After letting it dry, he would then remove the wax, creating negative space; this technique is also called “hard edge painting.” He would then cast prominent parts of the composition in bronze or aluminum. This process enabled him to achieve his signature bold outlines and flat primary colors.
These sculptures are among his most famous pieces. Some people believe that they increase the value of a property because they are unique and interesting pieces of art work.*
Lichtenstein art is not just limited to paintings; it can be used for a wide variety of creations and purposes. Lichtenstein art is not just limited to paintings; it can be used for a wide variety of creations and purposes. Find out in the article below.
Lichtenstein art is not just limited to paintings; it can be used for a wide variety of creations and purposes. Find out in the article below.
Lichtenstein art is not just limited to paintings; it can be used for a wide variety of creations and purposes. Find out in the article below.
Lichtenstein art is not just limited to paintings; it can be used for a wide variety of creations and purposes. Find out in the article below.”
The Lichtenstein Foundation was established as a non-profit corporation in the State of New York in 1968. It is governed by a Board of Directors, and it is supported by contributions from the Roy Lichtenstein Foundation Endowment and other donors.
The primary purpose of the Foundation is to promote and encourage public interest, education, and awareness of Roy Lichtenstein’s art through the administration of grant programs and activities.
The Foundation seeks to accomplish its mission by awarding grants to museums, universities, art galleries, schools, students and organizations who are involved with the study or advancement of public interest in fine and/or contemporary art. Grants are awarded within the guidelines set forth in its Articles of Incorporation, Bylaws and Grant Guidelines.
Awards are made twice a year as funds permit.
Lichtenstein’s work is not about entertainment or being ironic. It’s all about business. The paintings are works of art, but they were made to be sold as commodities.
The art market is different from the other markets we are used to dealing with. In regular markets, producers and consumers rely on each other. Producers want their stuff to be valuable; so do consumers. When producers price things too high or too low, or when consumers don’t buy enough, it’s bad for both of them. Consumers want producers to be successful, so they’ll keep making what they’re buying today and maybe even come out with something even better tomorrow. Producers want consumers to be successful, so they can afford to keep buying and maybe even buy more than they need today so they can sell it tomorrow at a higher price.*
In an art market, though, there’s no balance between consumer and producer interests. Buyers have no reason to care whether the artist makes lots of money off his work; in fact, he wants him to make less money–or at least less of his own money invested in making it–the more he succeeds. And the same goes for the artist: he wants his work to be expensive rather than cheap.*
So when an
Lichtenstein is known for his paintings of comic-book characters and advertisements. His detailed, realistic style of art imitating the appearance of commercial printing was dubbed “pop art” in 1965.
Lichtenstein used bright colors, thick paint, and hard edges to render the appearance of commercial printing on his canvas.
The artist’s “whole notion of what comics are is that they are a kind of advertising,” he told The New York Times in 1965.
“I think it’s closer to the truth to call them advertisements than ‘comic strips,’ which makes them sound like children’s entertainment,” he said. “They are essentially a way of selling merchandise by a means that is not direct sales talk.”
He was referring to the fact that most comics do not have a continuing storyline but instead solve all problems within one issue.
Another critic wrote: “Art as subject rather than as object becomes the message in Lichtenstein’s work… Lichtenstein has turned common items into fine art.”
Lichtenstein was born in New York, New York to Jewish immigrant parents from Lithuania and Poland. His father, Milton was a real estate broker, his mother, Isabelle a homemaker. He was raised on the Upper West Side and attended public schools until the age of 12. He then attended New York’s Dwight School, graduating from there in 1940. Lichtenstein then studied at Manhattan’s School of Industrial Art (which later became the High School of Art and Design), and at the Art Students League, before enlisting in the Army in 1943.[4]
He served for four years during World War II as a staff sergeant in the U.S. Army Air Forces First Motion Picture Unit.[5] He remained in the United States after the war ended, renewing his acquaintance with his high school sweetheart Dorothy Herzka, whom he married in 1947.
In 1949 Lichtenstein received a Bachelor of Fine Arts degree from Ohio University[6] where he studied under Robert Brackman and Otis Cook. In 1951 he moved to Cleveland, taking a job as an art instructor at the Case Institute of Technology (now Case Western Reserve University). During this time he undertook a series of journeys through the American SouthWest and Mexico, which provided subject
