10 Best Framed Warhol Prints: A blog around warhol’s work. Depth into the art and where the originals are located.

Warhol did not invent Pop Art, but he certainly made it famous. He was a master at using mass-production techniques to create something that felt as if it were a part of popular culture. Lichtenstein took this even further, using comic-book frames to create an art style that gave the impression of being more commercial than anything else.

If you are interested in learning more about Andy Warhol or you just want to see some really good examples of his art, then you should check out this list of 10 best framed Warhol prints.

The first thing to do is to assess the value of the Warhol. If it is not signed, or if it is signed in a different way to the signature on your certificate, then there is a chance that it has been imitated. The most common forgeries were made during the 1960s and 1970s. The most common forgeries are paintings from the 1960s-70s and prints from the 1980s-90s.

Also look for any signs of restoration or damage. If there are no visible signs of damage, but you believe it could have sustained some, take it to a professional restorer and get an estimate before you sell.

If your Warhol has always been in a private collection, this would increase its value substantially. This also means that if you purchased your Warhol as part of a set or in an auction sale where lots were bundled together then this could also affect its value greatly – even if you have a certificate with it (as these can be forged).

A signed copy of Marilyn Monroe or Jackie Kennedy will be worth more than an unsigned one.*

   There are many ways to spot the real deal when buying a Warhol, but most of these only become apparent once you’ve done your research and have seen several other

One of the most amusing things about Warhol is that he painted many of his works directly onto the surface of a canvas, rather than first creating the images on a separate piece of paper. It’s fun to see some examples of those outtakes, which are likely in many cases to be even more interesting than the final product.

If you are looking for a Lichtenstein print, then the most important thing to know is that there are two. Both were made in the early 1960s and both were named in honor of their inspiration. The first was a series of three comic-book like panels entitled Drowning Girl (1963). The second was a cartoonish image of a man with an eye patch, entitled Whaam! (1962). This popular and iconic work from 1962 is still available from the artist’s estate and can be purchased directly from Heritage Auctions.

The majority of Lichtenstein’s pieces were made in his signature style: bold outlines filled with flat color. He did, however, produce some pieces in different styles, including portraits and even abstract works. His original 1965 portrait of Lady Bird Johnson is worthy of note for several reasons—not only is it one of his few non-comic book-inspired works but it is also the most valuable piece he ever produced. It sold at auction in 2010 for over $26 million dollars.

You can read more about Roy Lichtenstein and his work here, then head to Heritage Auctions to shop the full collection of original artworks from this most important Pop artist.

When Lichtenstein was asked to explain his artwork, he responded, “There’s no way of getting around the fact that I’m appropriating imagery. I’m taking something I like and copying it. It’s not entirely mine. But there are degrees of taking something. When Picasso painted his copies of African art he changed them. He added things or subtracted things or enlarged them to make them more dramatic or forceful. The changes make the works by Picasso different from the originals by the African artists. My changes are minimal. So what I do is more honest than Picasso—more honest, but maybe less interesting.”

What made Lichtenstein’s work so relevant in the 1960s was that he transformed comic-book imagery into a serious art form, but in doing so he also transformed it into something else: Pop Art. By presenting comic-book images as fine art, Lichtenstein ironically elevated their status while also revealing their flaws and weaknesses as art forms—and indeed as cultural icons. While this reaction would have seemed revolutionary in 1961, it seems almost mundane today; comic books are a cornerstone of contemporary American culture and can be seen everywhere from magazine covers to movie posters to television commercials.”

Pop artist Roy Lichtenstein was born on October 27, 1923 in New York City. He began his artistic career during the 1940s, and had his first solo exhibit at the Charles Egan Gallery in New York City in 1951.

Towards the end of that decade he was drafted into the army, but was given a position in the camouflage unit.

Roy Lichtenstein’s famous comic strip paintings were inspired by cartoons and advertising that he had seen as a child. These paintings are characterized by bold outlines and large areas of flat color and fine details and text.

Towards the end of the 1950s, Roy Lichtenstein began making sculptures using materials like lead, wire mesh or plastic. In 1961 he began to work on his most famous series of works: his “Brushstroke” paintings.

In 1963 Roy Lichtenstein created a series titled “New which Way to Brushstroke” based on nine different comic strips. He was inspired to create these works after reading an article in Art News magazine about Andy Warhol’s Brillo Boxes, which were inspired by the packaging used for Brillo soap pads.

During the 1960s Roy Lichtenstein’s fame continued to grow with exhibitions at several

Lichtenstein’s most famous series, “Drowning Girl,” came about after he attended a lecture about photographs of scenes from everyday life. The lecturer, who was a photographer, described the pictures as “trivial.” This angered Lichtenstein, who took it as an insult to the people in the photographs. He said they couldn’t be trivial if they had been taken by someone else and were just lying around his house. Lichtenstein decided to take his own photographs in order to make the theme more serious and important. His first attempt at a “serious” photograph was of a girl he knew whose face bore an uncanny resemblance to that of the drowning girl in Edvard Munch’s famous painting The Scream.

Lichtenstein’s works are now considered by some to be art classics, but when they were first exhibited Americans thought they were over-commercialized and silly. During this time Lichtenstein also produced several prints which depicted comic book images with enlarged lettering and speech bubbles.

‘I’m not interested in the least bit in reproducing things,’ Lichtenstein said in 1969. ‘I want to find out new ways of doing it.’