The Bauhaus was the first artistic school in history that aimed to develop a style based entirely on geometric abstract forms. The Bauhaus movement was an important precursor to modern architecture and design, and at the same time it had a strong influence on all modern art.

THis is a story about how the Bauhaus movement emerged from the ashes of World War 1, and how it affected all modern art and architecture.

In 1919 Walter Gropius founded the Staatliches Bauhaus in Weimar after he won its competition for establishing an institution that would combine all aspects of the arts under one roof.

The most radical approach to teaching art was taken by Johannes Itten, who developed his own method based upon what he called “the education of seeing”, sometimes referred to as “re-education of perception”.

The idea behind these exercises was that students should train their eyes to see colors, lines, textures and shapes in a new way — not just as they normally appear but also as they could appear once they had been transformed into abstract designs.**

Bauhaus influenced architecture, painting, sculpture and graphic arts. The Bauhaus was highly influential in the 1920s and 1930s.

The Bauhaus taught that beauty could be found in functional design. It was also about the simplicity of form but included experimentation with color, materials and new technologies such as concrete and glass block.

Bauhaus artists were interested in creating objects that people need and use every day. They were interested in everyday things like household items and furniture. They considered this to be an art form.

Some examples of bauhaus designs are chairs, tables, lamps, bowls and even bookshelves. A lot of these items are still around today because they are useful and comfortable to use.

There were some people who did not like the style of bauhaus because it seemed very cold and mechanical like a machine made object rather than one made by an artist with his own style.”

The Bauhaus was the first school of art that has ever existed. It is considered to be one of the most important schools of art in modern times. Many different artists and other people have come from this school and have gone on to become famous and successful.

Taught by the founder, Walter Gropius, along with other great artist names like Wassily Kandinsky, Paul Klee, and Marcel Breuer, the Bauhaus was a school that offered many unique things to the students. The school is known for being a place where students were able to learn about many different techniques and styles in art. Students learned how to go beyond just drawing and painting to things such as sculpture, architecture, typography, and many other innovative things.

Taught by some of the best artists in history, it can be seen that this school was truly a special one. Not only did it teach its students about useful techniques for their future artwork but also it taught them about life itself.

The Bauhaus was open from 1919 to 1933 when it had to close due to extreme protests from the Nazi party. The Nazi party did not like the way that art was being taught at this time. They believed that it was too liberal for their liking and they also thought

The Bauhaus was a school that existed in Germany from 1919 to 1933. In its brief life, it left an indelible mark on modern art and design.

The Bauhaus had a profound influence on the development of architecture, furniture design, graphic design, typography and industrial design; the school introduced the idea of “form follows function” into modern industrial design.

Its teachers were committed to developing an artistic standard for their students and it became one of the most influential design schools in European history.

Gropius opened the school with the words: “The Bauhaus teaches not the etching of flowers but rather the painting of gardens.” What followed was a commitment to good craftsmanship and materials as exemplified by the motto “Good, well-made work is beautiful.”

The school attracted many great artists, architects and designers including Paul Klee, Wassily Kandinsky, Lyonel Feininger, Oskar Schlemmer, Josef Albers, Herbert Bayer and László Moholy-Nagy.

The Bauhaus was one of the most influential art schools of the 20th century. Although it was closed by the Nazis in 1933, its influence continued to be felt in architecture and design, especially in the post-World War II years.

This blog is an attempt to trace the history of the Bauhaus and bring together information about its influence on architecture, design, typography, illustration, photography and painting.

The Bauhaus was a school of art and design in Germany that developed an important approach to the arts. The school, which lasted from 1919 to 1933, had a major effect on architecture, typography and graphic design. It also had an impact on furniture design and industrial design.

The school was founded by Walter Gropius in Weimar, Germany. It grew out of the Arts and Crafts movement, which valued handcraftsmanship over mass production techniques.

The Bauhaus combined both approaches to create beautiful, functional works of art. It had a huge influence on the development of modern art and architecture.

The Bauhaus was closed by the Nazis in 1933 because they saw it as a threat to German culture. Many artists associated with the Bauhaus fled to the United States or Great Britain.”

The Bauhaus (German pronunciation: [ˈbaʊ̯HAUS]) was a school of art and architecture. The Bauhaus was based in Weimar, Germany, and operated from 1919 to 1933. The Bauhaus style later became one of the most influential currents in modern design, modern architecture and art. The Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography.

Towards the beginning of the 20th century cultural life had become increasingly politicized by many artists who were concerned with the social implications of their work. This was also true for many architectural circles and artists who were critical of established institutions such as schools and museums, as well as against an entire system of production that they called “materialistic.” This was one of the reasons why many architects (so-called Berlin architects such as Erich Mendelsohn) came together to form the Novembergruppe in 1905. In 1911 Walter Gropius founded the Allgemeine Deutsche Werkbund (ADW) with the support of Hermann Muthesius, to concentrate professional efforts on social requirements and provide a platform for German designers to exhibit their works without having to rely on commercial