How Modern Greek Art Influenced Picasso

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Picasso created the Cubist style, which is one of the most influential styles in art history.Cubism was a modernist movement that began in the early 20th century. It held that traditional forms of art should be discarded and replaced by abstract or realistic images.

Towards the end of his career, Picasso created a series of paintings based on Greek myths and legends. The decorations used by ancient Greek vase painters inspired Picasso to create these mythological paintings.

Towards the end of his career, Picasso created a series of paintings based on Greek myths and legends. The decorations used by ancient Greek vase painters inspired Picasso to create these mythological paintings.

These paintings are known as “The Women of Algiers” series, painted between 1954-1955. I had always found it interesting how much influence Greek art has had on the western world from its beginnings in ancient Greece through to modern times.(Note: This is an extract from my book – How Modern Greek Art Influenced Picasso)

The term “Modern Greek Art” refers to the art of Greece after it gained independence. This is a period when most of the famous Greek artists created their works. The term “Hellenistic Art” is a more general term that includes all the art of Greece including that which was created before its independence.

Pablo Picasso was influenced by the artworks of the Hellenistic period and those of Modern Greek Art. His works span different periods and have distinctive characteristics from each period.

Towards the end of his life, Pablo Picasso worked on a series known as “The Burial of Casagemas”. The paintings in this series were inspired by the ancient artworks he saw in museums during his lifetime. He was also inspired by classical music which was one reason why his later works were abstract.

He had spent almost 4 years in Paris without any work opportunities at all and he had been forced to live on his meager savings. During that time, he had seen many classical artworks and musical concerts at various museums in Paris and became increasingly interested in classical music, especially that of Claude Debussy. He began playing with new styles forming an entirely new artistic style known as Cubism which was unique only for him and his friend Georges Braque

Picasso was the most influential artist of the 20th century. He is so famous that his name has become synonymous with “great artist” and people think of him as a member of the exclusive club of the greatest artists who have ever lived. However, Picasso was an avid art collector and enthusiast, and a great deal of his art (most notably in Cubism) was influenced by Greek art.

First off, Picasso drew inspiration from a variety of sources, most notably African sculpture and Iberian sculpture (particularly Romanesque sculpture). But he also loved Greek vase painting, which is well known to have influenced Cubist painters like Braque. However, what many people don’t realize is that Picasso’s interest in Greek vases inspired not only Cubism but his entire career.

Toward the end of 1897 Picasso made a sketch (above) inspired by Greek vases he saw at the Louvre. After that point, Picasso began to incorporate some elements of ancient Greek art into his work, particularly during his Blue Period. Then in 1904-1905 he produced a series of paintings based on the ancient story of Judith beheading Holofernes (which is depicted on an Attic red-figure vase), which are

The influence of ancient Greek art on Picasso is illustrated in these two drawings by Picasso.

Picasso made a series of such drawings in which he tried to capture the essence of Greek art. The figures in these drawings are typical of ancient Hellenic art and are often drawn from Greek vase paintings or bas-reliefs. The figures are elongated, like those you can see on many vases. They stand very straight and tall. Their heads are small, their limbs slender, their torsos long and narrow. In some cases they seem almost twisted out of shape: they have thin arms and legs, but a very large head with a strange-looking profile, as if they were all suffering from a kink in the neck! The features are usually simplified to a few lines: almond eyes, thin lips, blank expressions on their faces.

The poses of the figures in these drawings remind us at once of Greek statues. Vases and statues show us people who look as if they had been frozen in the middle of an action: running, fighting, dancing… The same goes for Picasso’s drawings: his figures seem to be caught at the beginning or end of some sporting activity (we see them just about to jump or just about to

Picasso is considered by many to be the most influential artist of the 20th century.  His art, along with other modern artists like Salvador Dali, inspired many contemporary artists and set the tone for what became known as the “modern art movement”.

Picasso often borrowed ideas from other artists and incorporated them into his own art. Other times he was directly influenced by what he saw in museums during his travels through Europe. For example, Picasso visited Greece in 1935 and was so moved by their ancient art that it had a significant influence on his work. 

The influence of Greek, Etruscan, Roman and Minoan art can be seen clearly in Picasso’s paintings from this period. In 1936, for example, Picasso painted “Harlequin” which shows an obvious influence from Greek vase paintings. The figures are drawn with broad strokes that are sometimes flat and other times rounded.  The muscles are simplified but also look very strong. The females have long necks which creates a sense of balance in the painting. 

This same style can be seen in some of his other works from this time period such as “Head of a Woman” (1935), “Painter and Model” (1937) and “Dove” (

In the early 20th century, Pablo Picasso was one of the most influential artists in the world. His paintings and sculptures are still very popular in museums and galleries across the globe. But how did Picasso get his start? What was he doing before he started producing some of the most famous art known to man?

The answer lies in a trip that Picasso made to Greece in 1901, where he discovered a style of art and sculpture that would forever change his approach to painting and sculpture. The art style was known as “Hellenistic” and it’s believed that Greek gods and goddesses like Aphrodite, Hermes (Mercury), Athena, Zeus, Poseidon and Apollo were also big influences on Picasso’s work.

Towards the end of 1901, Picasso left Spain for Paris with a small collection of Byzantine artifacts that he had purchased on his recent trip to Greece. The influence of Greek art could be seen in some of his earlier works as well such as “The Sculptor” (1905) which features a headless male nude with an abstracted face reminiscent of ancient Greek statues.

Picasso also produced many pieces depicting wine goblets or kylixes from ancient Greek pottery and vases like “The

The art of Picasso is often considered as the most important artistic manifestation of the twentieth century. His painting and his sculptures are famous worldwide and his name has now become a symbol for the new art. However, there is another important artist who influenced Picasso’s work, the Greek painter and printmaker known as Giorgio de Chirico.

Towards the end of the nineteenth century, De Chirico began to develop a new kind of painting that became known as Metaphysical Art. This style was characterized by mysterious settings, unreal architecture and perspectives and strange lighting which created a disturbing effect on the viewer. Although it took some time before this style began to influence other artists, it soon became very popular in Italy. De Chirico’s paintings were greatly admired by many Italian painters, including Carlo Carrà, Mario Sironi and Umberto Boccioni. They all adopted his style in various ways but it was Filippo Tommaso Marinetti who was most influenced by De Chirico’s art.

Marinetti was not just an artist but also a writer and poet who founded the Futurist Movement, which promoted an aggressive form of nationalism through poetry, painting and sculpture. He wrote a Manifesto of

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