The signs are displayed in a grid, with each sign representing a different election year. The exhibition aims to highlight the often-overlooked aspect of democracy: the individuals who run for office but do not win. Katchadourian’s work prompts viewers to reflect on the significance of these candidates and the democratic process as a whole. The signs are arranged in chronological order, starting with the earliest presidential election in 1789. Each sign includes the candidate’s name, the year of the election, and the state in which they ran. The exhibition also features a brief description of each candidate’s background and their reasons for running.
In the realm of political satire, Katchadourian’s work stands out for its unique approach and cultural resonance. By crafting signs that bear the names of presidential candidates who did not secure victory, she taps into a rich vein of American tradition.
The monument, located in Washington, D.C., is a tribute to those who have made significant contributions to the nation’s political landscape without ever holding elected office. The monument’s design and placement are symbolic, representing the unseen efforts and sacrifices of these individuals.
His art often explores the intersection of technology and human experience, particularly in the context of the digital age. Katchadourian’s work is characterized by its innovative use of technology, often incorporating elements such as digital media, interactive installations, and virtual reality. He is known for his ability to blend traditional artistic techniques with cutting-edge technology, creating immersive and thought-provoking experiences for viewers.
His artwork is displayed in various prestigious institutions such as the Museum of Modern Art, Whitney Museum of American Art, and the Museum of Contemporary Art, Los Angeles. He has also participated in numerous exhibitions and festivals, including the Venice Biennale, the Whitney Biennial, and the Venice Art Biennale. Katchadourian’s artistic journey began in the late 1970s, where he started creating artworks that were deeply influenced by his experiences in the Middle East.
The GCAC, a non-profit organization, is dedicated to fostering artistic expression and community engagement. The exhibit, which features a diverse array of artworks, is set to be displayed in the Webbs’ front yard, showcasing the power of public spaces in promoting art.