A Brief History of Roy Lichtenstein

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Roy Lichtenstein’s first public presentation of pop art was in the early 1960s. It was a time when the conceptual, minimalist and op art movements were popular. The era’s general attitude was that anything could be art if it looked good. Like Andy Warhol, Lichtenstein used techniques such as silk screening to create his work.

His pieces are often comic-book inspired with vibrant colors and bold outlines. In one of his most famous works, Whaam!, an explosion is shown in front of a blue sky and white clouds. The piece is a reference to a comic book panel where the hero flies above Vietnam and drops a bomb on two enemy figures below.

Towards the end of the 1960s, Lichtenstein started using ordinary objects as canvases rather than painting abstract forms or people such as himself. He gained even more fame in the 1970s after collaborating with other artists such as Claes Oldenburg and Andy Warhol.

While many of his works are museum pieces today, they are also reproduced on posters, mugs and other commercial products.

Roy Lichtenstein was an American artist best known for his paintings of the modern architecture and women by repeating the comic strips. His work belongs to pop art. Since the 1960s, he worked as a professor of art at several universities and made numerous prints, sculptures and paintings.

Lichtenstein was born in New York on October 27, 1923. He studied from 1942 to 1943 at Ohio State University and then for one year at the Cleveland School of Art. In 1944 he came to New York, where he stayed until his death on September 29, 1997.

Roy Lichtenstein began in 1948 with the expressionist painter Philip Guston and the abstract expressionist Jackson Pollock. From 1951 to 1953 he taught at Ohio State University and later became professor of painting at Rutgers University in New Jersey (1955-1957) and at Yale University (1958-1964). In 1963 he moved to New York City. During this time he created his first pop art paintings.

From 1964 to 1969, he was professor at Bennington College in Vermont and from 1969 until 1972 professor at the University of California Los Angeles (UCLA). Then, from 1972 until his death, Roy Lichtenstein lived in New York again and was professor at Yale University .

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Roy Lichtenstein was born in Manhattan, New York , in 1923. He studied art at the Art Students League from 1940–42, and attended Ohio State University from 1942 to 1943. After serving three years in the U.S. Army during World War II, he returned to OSU from 1946-48 and earned his BFA degree with honors on May 5, 1948.

In 1951, he married Isabel Wilson, and the couple had two sons – David (born 1952) and Gregory (born 1955). In 1954 Roy began teaching at the School of Visual Arts in Manhattan. The next year his work was included in an exhibition of contemporary American artists at the Galerie Iris Clert in Paris. This led to numerous exhibitions of his work throughout Europe over the next decade.

While living on Long Island in 1956, Lichtenstein began drawing comic-book images. Returning to New York that same year, he started painting large comic book panels, which he exhibited at the Bodley Gallery in 1957 as “I saw the movies.” His work was featured twice more at that gallery before his first one-man exhibition was held there. At this time, Lichtenstein left SVA to teach part time at Rutgers University and began a series of comic-book paintings that

Roy Lichtenstein (1923-1997) was the master of the “Pop Art” movement. The style his pieces are painted in is referred to as “Ben-Day” dots, which was a technique used by newspaper printers to print photographs. By using this style in his art, he is commenting on how mass media and advertising have made an impact on our lives.

Towards the end of his career, Roy Lichtenstein became more well known for his sculptures than for his paintings. He often depicted common household items like chairs and radios in his sculptures.

Roy Lichtenstein’s strong point is that he conveys a conceptual statement with a sense of humor and irony. He manages to find humor in a serious subject, which helps make it easier for people to understand it.

Roy Lichtenstein was an American pop artist. He used a mechanical process to reproduce comic strips and advertisements in large, bold colors and Benday dots. He became famous for his “appropriation” of commercial imagery, which he openly admitted and discussed.

A common theme in Lichtenstein’s work is the depiction of women with speech balloons containing dialogue from comic books, pointing out the ridiculous nature of the dialogue itself by juxtaposing it against the mundane reality behind it (e.g., an anti-drug image where the speech bubble reads “This is your brain on drugs”).

Roy Lichtenstein was born on October 27th, 1923 in New York City. His German immigrant parents were Gertrude (Cohen) and Milton Jacob Lichtenstein. Roy was one of four sons; his brothers were Mitchell Lichtenstein, Harry Lichtenstein, and Everett Lichtenstein. Both of his brothers served in World War II; Roy himself enlisted on August 29th, 1942. He attended Ohio State University for a year before transferring to the army to serve during World War 2. Afterward he returned to Ohio State to get his degree in Art History, where he graduated in 1948 with a Bachelors Degree. He then went on to study at the

Roy Lichtenstein, who died on September 29th, was one of the most influential American painters of the last half century. He is best known for his paintings based on comic-book art, which he made in the 1960s and 1970s.

Image:http://upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Roy_Lichtenstein_Self-portrait_with_camera_1977.jpg/360px-Roy_Lichtenstein_Self-portrait_with_camera_1977.jpg

Description:  Roy Lichtenstein was an American pop artist of the 1960’s and 1970’s who became famous for his paintings that resembled comic book illustrations. His style was influenced by both commercial advertising and comic strip art from the 1940’s and 1950’s. One distinctive characteristic of his work is that the speech balloons are often absent from the figures in his compositions.

Image:http://upload.wikimedia.org/wikipedia/commons/thumb/7/79/Lichtenstein_-_Whaam!_-_Look_closely__youll_see._It%27s_not_an_ordinary__cannonball!_(detail).jpg/360

Lichtenstein’s work was the epitome of pop art. His first works were black-and-white paintings, using brush and ink on large canvases, of comic strip images, particularly those of Ben Day dots. In 1961 he began work in a new style, using these same techniques on large-format prints, mostly of panels from adverts or magazine pages. By 1963 he was producing his “Lichtenstein” look, with Benday dots and hard edges.

Presenting his collected works for the first time in 1963 in Cologne at the Galerie Creuze and Galerie L’Objet, Lichtenstein had five color paintings exhibited. The following year he produced his first sculptures. In 1965 he had his first exhibition in the United States at the Green Gallery in New York City, then in 1968 the Museum of Modern Art (MoMA) held a retrospective of his work which brought him much critical praise as well as financial success and national fame.

In 1969, Lichtenstein had a second exhibition at MoMA and began his series of prints based on photographs that would occupy him for the next decade. In 1973 he produced his first collages that incorporated materials from previous works. From 1976 to 1979 Lichtenstein worked on his “

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