The Great Moa Art Collection is a blog about the history of an animal moving into our world and why it was important for the animals’ survival. The blog discusses how this animal impacted our world in many ways, including art of different kinds.

The blog tells the story of the moa bird, which was highly intelligent and made its way across the sea from Indonesia to New Zealand with other animals on a large island that broke off from a large land mass. It tells how their intelligence was important for the survival of their species when humans arrived in New Zealand about 700 years ago.

Told through both written words and images, the story describes what we know of these birds and what happened to them in human history.

The blog gives insights into how animals can be intelligent and artistic even though they are different from humans. The blog may be helpful to those who are interested in learning more about this bird and its impact on history as well as people who just want to learn more about art.

If you would like to know more about the various art forms of the Moas, then you can visit The Great Moa Art Collection. They have a very interesting blog that has quite a lot of information about these fascinating animals. There are also some videos and images that you can see for yourself. If you like what you see, then there is an option for you to sign up and become a member. You will be able to enjoy all the features of this site at no charge.

The best thing about the Great Moa Art Collection is that it’s all true.

It is a collection of art made by New Zealand’s extinct moa birds. It ranges from simple patterns on rocks to murals and massive public art collections, some of which are more than 1,000 years old.

The moa were large, flightless birds that lived in New Zealand for millions of years before people arrived there. The last moa died out about 500 years ago.

A blog about the great art movement that occurred in the last hundred years on a small island located off the southeastern tip of New Zealand’s South Island.

The art movement was brought on by animals who found themselves in a new world and needed a way to survive. The blog examines how these animals used art as a means to survive, and how this movement grew into a collection of art still admired today.

Animal art is all around us. It was there in paintings, statues and pottery of ancient Egypt, Greece and Rome, there in the embroidery of medieval churches and in the carvings of Romanesque cathedrals, even present in the paintings of Renaissance artists such as Leonardo da Vinci and Albrecht Dürer.

Tigers and bears were captured on Chinese silk, birds were painted on vases from ancient Greece, horses were carved in reliefs on the Parthenon frieze. Animals have been central to our artistic imagination for thousands of years. These images are testament to the power that animals held over our imaginations during this period.

But then something radical happened to change our relationship with animal art. A new realism emerged that made animal art seem almost old-fashioned. In the 18th century that realism took hold in painting, and by the 19th century it had spread to other art forms including photography and film.

We know that people stopped collecting animal art because it simply disappeared from view. The great collections of ancient sculpture slowly dispersed: some pieces sold to make way for furniture; others locked away in cellars or sent off to museums where they lay unseen for decades; a few pieces lost or destroyed; still others

So the first thing to know about New Zealand is that it’s the last place on earth where moa birds lived.

The second thing is that the Polynesian people who got there first thought it was the first place on earth where moa birds had lived.

The two were not unrelated. The Polynesians were master navigators, and they colonized islands all over the Pacific, but they always landed on the unoccupied ones. They knew perfectly well what happened when you met people with spears and clubs, and they weren’t going to do it again.

When they sailed into the waters around New Zealand and saw what looked like hundreds of life-sized ostrich-like birds, they turned away. But a group of them followed the shoreline for a few days until they got to a part of the coast with no beaches. They found a place where a river went inland, so the current would take them up against the land. They got out of their canoes, climbed up above the high-water line, and signaled to their friends in their canoes offshore with raki torches. The other canoes came in close enough to shore for everyone to jump out onto dry land. Then they burned their canoes so no one could go back.

The first artist was a chimpanzee. She was born in the United States in the year 1979 and grew up with the usual monkey’s repertoire of grunts, gestures and grimaces. Like any young chimpanzee, she amused herself by throwing things around and trying to start fights with bigger chimps. But unlike any other young chimp, she had access to crayons and paper.

The chimp’s name was Lana and her owner was Jean Butler, an artist who had moved from Manhattan to a farm in San Francisco. “I didn’t want her to be bored,” Butler said later. “When she started drawing I realised it wasn’t just a coincidence.”

Lana’s drawings were simple but recognisable: trees, flowers and birds. She became famous for them. The San Francisco Chronicle carried stories about her; people came from all over to watch her draw.

Her success inspired other ape artists: the Washington Post reported in 1981 that a bonobo called Kanzi had started painting after watching his keeper paint; a gorilla named Michael had been doing sketches since he was 10 years old; and two orang-utans at London Zoo were also reported to be creating art….