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The gothic art is a style of architecture that developed in Europe during the high and late medieval period. It evolved from Romanesque architecture, and was succeeded by Renaissance architecture.

The term gothic has also been applied to other artistic media, such as sculpture, painting, literature and music. The term gothic itself is often misused to describe something evil or dark. In architecture “Gothic” refers to the style that uses pointed arches, rib vaults, flying buttresses and decorative arcading as opposed to round arches, Roman brickwork and rectangular abutments typical of Roman architecture.

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Gothic art is a mediaeval artistic style, originating in 12th-century France and lasting into the 16th century, with early developments taken from Carolingian and Byzantine forms. It was succeeded by Renaissance art. In the late 20th and early 21st century, there was a revival of interest in gothic architecture.

The Goth subculture is a contemporary subculture found in many countries. It began in the United Kingdom during the early 1980s in the gothic rock scene, an offshoot of the post-punk genre. It has survived much longer than others of the same era, and has continued to diversify.

The goth subculture has associated tastes in music, aesthetics, and fashion. The music group Bauhaus has been a major source of inspiration for the movement since its debut in 1983. The style typically features dark theatrical makeup, black clothing and hair, an interest in the macabre and Gothic literature, a love of horror movies and horror fiction, a taste for morbid humor, a fascination with vampires and death, and an attraction to dark nightclubs where music is played.

In recent years, as with almost all subcultures, from hippies to ravers to punks, it has spread around the world, now having cult followings in Japan (where it is known as ?gure kei?), Hong Kong (known as y?e kei), South Africa (particularly in Cape Town), Canada (in Quebec), Australia and New Zealand (where it is sometimes referred to as “batcaver” or “bat-cave” culture

I want to talk about the term “Gothic Art”. The term is originated by the German art historian and archaeologist Gotthard Link. His work The Gothic Architecture and the Arts was published in 1905.

The term “Gothic” was used to describe the architecture of the High Middle Ages in Europe, between 1150 and 1350. The term was first used in deprecating sense, by a Dutchman named Kranach who described this style as “barbaric” and “rude”. Until then all the styles that preceded, were regarded as classical, but at that time in history something new happened: the rise of a new architectural style made in Northern Europe.

The first use of word gothic to describe a style of architecture is found in 1647, when Inigo Jones wrote to his friend Ben Jonson: “You cannot send better or more apt present than this; ’tis a model of gothic, which is the most admired now adayes”. This definition became standard until today.

Gothic art and architecture is a term that is used to describe the style of art, architecture, and decoration from the high medieval period. The gothic style first appeared in France, where it was known as “opus francigenum” (work of the Franks) or “Opus Francorum” (work of the Franks) because the first gothic buildings were built by the Franks and Burgundians.

Dating back to late 11th century, and continued into the 16th century, gothic artwork focuses on religious themes. The gothic style replaced romanesque art and is succeeded by Renaissance.

Thought to be a combination of Roman, Byzantine, and Germanic elements, gothic artwork can be seen in many churches including: Notre Dame de Paris, Chartres Cathedral, Reims Cathedral, Strasbourg Cathedral and Speyer Cathedral.

A Classic Book, Gothic Art by Henri Focillon made a convincing case for the art being of great importance. The book was originally published in French as La Formation de l’art gothique in 1928. It was later translated into Spanish and then English in 1931.

The book is a detailed study of the rise of Gothic architecture and art during the 12th century and its spread throughout Europe over time. Focillon discusses various ways of interpreting the art and finds symbolism in the architecture. He looks at how cathedrals were made, the role of craftsmen and their tools, and the relationship between nature and man.

Towards the end of this landmark study, Focillon writes: “So long as men erect churches and cathedrals, they will continue to build them according to this plan [of Notre-Dame], for it is itself an expression of their aspirations after perfection.”

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