CubismThe Beginnings of Modern Art

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Cubism was an influential movement in 20th century art and architecture. Developed by a small group of artists including Pablo Picasso and Georges Braque, cubism helped to change the course of art history, as it introduced new concepts of abstraction and reflection in fine art.

Toward the beginning of the 20th century, the artistic community embraced a new style of painting that emphasized three-dimensional space over realistic representation. These artists were called cubists (a name derived from a description by a critic who likened their work to “a cube”). They believed that objects could be seen from multiple viewpoints simultaneously; they also dismissed the notion that objects should look like what they actually are. Elements could be presented out of their context, or broken down into simpler geometric forms.

During the early 20th century, cubism had a profound effect on various fields in art, including sculpture, literature and theater. Cubist painters were enthralled with abstract ideas and believed that only through experimentation could new artistic conventions be established. Their work reflected this sentiment through its tendency to convey multiple perspectives at once, presenting a jumbled collection of objects in no particular order.

This blog post lists some websites about cubism and cubist art, including information about how these artists represented space

Cubism was an artistic movement that revolutionized European art in the early 20th century. The movement began in the summer of 1907, when Pablo Picasso and Georges Braque made the first of many visits to the resort town of Cadaques, Spain, on the Mediterranean Sea. The two artists painted side by side, and their work evolved in response to one another’s.

Toward the end of that summer, Picasso made a small painting titled Still Life with Chair Caning (1907). He used a palette knife to apply large areas of solid color strategically placed next to one another. Braque was intrigued by the way that color could be used as an area or shape. On his return to Paris, he began to paint floorboards seen from directly above. In these works by Braque and other artists who were experimenting similarly–notably Albert Gleizes and Jean Metzinger–the verticals and horizontals of traditional perspective were abandoned and replaced by geometric forms that did not appear to recede into space but instead suggested flatness or even a kind of three-dimensionality.

Toward the end of 1908, Picasso returned to a style resembling that of Still Life with Chair Caning (1907). In fact, he painted a series

In 1907, Pablo Picasso and Georges Braque began experimenting with a new style of art, which they called cubism. Prior to this time, representations of objects in art were generally realistic. The cubists broke the picture plane into a multitude of geometric planes and angles, thereby flattening the image. They also used different colors and patterns to suggest depth.


Cubism was pioneered by Pablo Picasso and Georges Braque. It is a style of art that features a fragmented, or “cubed”, representation of reality. Cubism was the first to use modern abstract art to present an alternate vision of the world in which familiar objects are shown as constructed or composed of geometric shapes and forms. The movement was also the beginning of modern art and is considered one of the most influential styles in art history.

Cubism essentially developed out of two earlier styles, Post-Impressionism and Fauvism. The Post-Impressionist artists used bright colors in an attempt to capture their subjective vision of the world. Fauvists used nonrepresentational colors and exaggerated form for a similar purpose. It was Picasso’s friend, the sculptor Jean Metzinger, who coined the term “cubism”. The name was derived from a three dimensional form that can be created by viewing a subject from multiple angles at once. Although cubism did not originate with Picasso or Braque, their works are considered its first manifestations…

Picasso and Braque created cubism independently over a period of about seven years (1907-1914). Cubist works often utilize several different types of geometric

Cubism is one of the most influential art movements ever created. Cubism was pioneered by Pablo Picasso and Georges Braque in 1908. It is characterized by a fragmentation of forms and an attempt to represent objects from all sides at the same time. The term cubism comes from the French word cube, which means 3-D square.

In 1907, Pablo Picasso created The Girl with a Mandolin, which was his first abstract painting. He did not create abstract art for long, though. He soon returned to representational art and began to evolve the style of art that would later become known as cubism.

Toward the end of 1908, Picasso started working on Les Demoiselles d’Avignon (The Young Ladies of Avignon). During this period Picasso’s work became more abstract and he no longer used recognizable figures in his paintings. His work became more stark and angular.

Picasso’s use of cubes may have been inspired by African masks or even earlier Greek artifacts that have similar shapes. Cubist paintings are sometimes referred to as synthetic cubism because they do not portray real life but rather a synthetic or constructed reality.*

Cubism is one of the most influential art movements of the 20th century. It inspired many other art movements, including Futurism and Constructivism.

Cubism was named after a sculpture by Picasso entitled, “Les Demoiselles d’Avignon.” This sculpture was exhibited at the Paris Salon in 1907.

Many people who saw the painting thought it was a photograph of women in the street, so they were shocked when they learned that the painting was done by a man. They felt that it was not art because it did not resemble reality.

Towards 1907, Picasso began to experiment with different ways of representing objects on a canvas or in a picture plane. He took bits and pieces from different things and put them together to make a new whole. He used distortion and flattened, angular shapes to create an image that looked like what he saw, but really wasn’t.

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