Aesthetic Art and Beauty

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Aesthetics is a branch of philosophy that tries to identify what makes art and other things beautiful. It has gone in and out of fashion many times, with different groups of people arguing that art should be this or that.

Trying to define aesthetic art can be difficult because it is hard to describe the look, feel and sound of beauty without using the term “beauty”. That is why the definition of aesthetics is sometimes known as the “What is beauty question.”

Aesthetic art really is about beauty, but not about beauty for its own sake. Beauty for its own sake can be said to have a purpose but no use. Aesthetic art really does have a purpose on the other hand. Aesthetics seeks to understand some kinds of artistic objects, by analysing them in terms of their formal properties and then describing these formal properties with precision.

Aesthetic art is a form of communication. Its job is to communicate emotions, ideas and judgments. The only thing it has in common with abstract art is that it uses visual elements. Beyond that, it has more in common with fiction than with abstract art. The primary difference between aesthetic art and fiction is that fiction’s purpose is to tell the truth, while aesthetic art’s purpose is to be beautiful.

The purpose of beauty in artistic works is to provoke an emotional reaction from the audience. This reaction can be positive or negative; but it must always be strong enough that the audience will care about it. Aesthetic art often tells stories in addition to communicating ideas; but these stories are not usually central to its purpose. Its purpose is primarily to make the audience feel something strongly, whether positively or negatively.

Symbolic art communicates ideas by using symbols, which are not themselves meant to be beautiful but instead represent something else that should be beautiful in some other medium (such as literature). It should be noted that symbolic art can also include elements of aesthetic art, such as color and texture; but the primary purpose of such elements is symbolism rather than beauty.

Symbolic art like this tends to be considered “high-brow”, while purely aesthetic art tends to be

Aesthetic art is a form of art that is concerned more with the creation and appreciation of beauty, than with the more conventional artistic elements of expression, narrative, conceptualization, or craft. Aesthetic art is also referred to as Art for Art’s Sake.

The term was coined by the poet and aesthetician, Walter Pater in his work Studies in the History of the Renaissance (1873) to describe one branch of Victorian-era visual arts. The related concept of art for art’s sake was used by both Pater and Oscar Wilde in their attempts to elevate aesthetics over morality in art.

Pater based his concept on an opposition between “art” and “form”, a duality which he derived from Kantian philosophy. According to Pater, aesthetic value existed purely in beautiful forms which were not justified by any content they might convey; thus, “art” in its pursuit of beauty needed no other justification for its existence. This idea was inspired by John Keats’s statement that “Beauty is truth, truth beauty” (Ode on a Grecian Urn). Patter however undermined his own argument when he went on to say that this value had nothing to do with moral value; he believed morality was a human construct.

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Science and art are often confused with each other, and both are treated as branches of philosophy. Science is not an art and it is not a branch of philosophy. Science is a process for finding out things about the universe. Art is a way to express the meaning of things.

The confusion of science and art comes from their similarities: Both try to be beautiful, and both use techniques that look like magic to laypeople. But the resemblances are superficial, and they end when you look at what they actually do.

The confusion of science and philosophy comes from their different goals, which happen to overlap on a few controversial topics. Philosophy tries to understand the universe as it is, using reason; science learns about the universe by studying it empirically. Philosophy tries to give us insight into how we should behave; science tries to give us better technology so that we can live better lives. These two endeavors do not compete for scarce resources: one does not preclude the other, because they are about different things.

But in some areas—like aesthetics—the goals of science and philosophy coincide. It turns out that there is no way to decide what makes something beautiful except by studying people’s reactions to it through history and across cultures—in other words, by doing science

Formalism is a term used in the philosophy of art ( one view ) to refer to the idea that art is, or should be, judged by the formal properties of an artwork or artifact, rather than by its content or context.

Summary:Formalism is a contested issue, in particular as it relates to the creation and appreciation of visual art. Proponents of formalism argue that visual art does not need to represent anything in order to be beautiful. Others argue for example with the term “informalism” that some things can be considered art even if they do not have any aesthetic value.

Source URL : http://en.wikipedia.org/wiki/Formalism_(philosophy_of_art)

It is true, as Oscar Wilde observed, that “the only thing worse than being talked about is not being talked about.” But Wilde was talking about gossip. When it comes to art, it’s just as true that the only thing worse than being bad is not being bad.

And it’s not just art where you can succeed by failing. There are other activities–sports and war, for example–where people have to learn how to cope with failure.

But all these activities are different from art. In sports and war the goal is to win, and the way you win is by beating the other guy. There’s no rule against trying to kick your own butt, but who would want to do that? The whole point of soccer is to put the ball in the other team’s goal. The point of war is to conquer territory or kill people. You don’t get points for style; you’re supposed to use every means at your disposal, fair or foul. And if you lose, you’re supposed to lose gracefully; nobody wants to see a loser who can’t accept defeat with good humor.

So in sports and war it’s more important not to lose than to win. But in art losing is everything: it’s an end in itself.

Art, in the widest sense, is and always has been a major aspect of human culture. As such it is one of the main ways that human culture has been passed on through the generations.

To be able to understand any art form – to enjoy, appreciate and critique it – it is important to have some knowledge of its history. This course will provide you with a basic understanding of the development of art from the earliest cave paintings to modern day art.

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