Mondrian is one of the most important and influential artists of the 20th century. He is credited with creating the abstract art movement and his use of geometric shapes and primary colors helped shape the style we now know as modern art.
Towards the end of his life he became a devout follower of Bauhaus, an innovative school that championed simple, pure lines and primary colors in design and architecture.
The most well known pieces by Mondrian are his Neo-Plasticist paintings which were created using black lines and primary colors that were carefully arranged on a white background. They’ve inspired many artists since then and have been used to create some really amazing works of art that you should definitely see before you die!
See below for 5 Mondrian paintings you must see in the world:
Mondrian was born in 1872, in Amersfoort, Netherlands. He spent much of his life in France and became a French citizen in 1937. He died at the age of 71 on 1 February 1944. During his career he painted around 2,100 paintings, many of which were abstract works.
Towards the end of his life he switched to a more figurative art form and completed around 50 paintings before dying of pneumonia on 1 February 1944.
Although Mondrian is considered to be the pioneer of abstract art, his works were largely ignored during his lifetime. He produced a large number of works that were never exhibited and he even destroyed several hundred paintings of his own.
In 1911, Mondrian left Holland for Paris where he encountered the Cubist painters. He was particularly influenced by Pablo Picasso, Georges Braque and Juan Gris. During this time, he began producing Cubist-influenced works. In 1914, Mondrian moved to London where he produced a series of paintings with diamond shapes.
After World War I, Mondrian returned to Paris and resumed painting Cubist works for a short period before moving back to the Netherlands in 1921. It was during this time that Mondrian developed his signature style with white lines painted on black backgrounds. He also began incorporating the vertical and horizontal lines into his compositions.
He began teaching at the Leiden Academy in 1924 which gave him more time to devote to his painting. He held his first solo exhibition in 1927 which featured abstract works based on rectangular shapes in primary colors. In 1930, he developed an interest in Neoplasticism which was a similar movement but based on geometric forms influenced by classical Greek art.*://mondrianshadowgallerycom/
Mondrian was born in Amersfoort, the Netherlands, on 7 March 1872. He died at age 71 in New York City on 1 February 1944.
Tulips (1935) by Piet Mondrian, located at the National Gallery of Art in Washington DC.
Mondrian’s earliest work is from his time in the Netherlands. It is difficult to determine whether he made any major paintings before 1904, as many works were not signed or dated. It has been suggested that an important work from 1902, if not earlier, is titled “Modern Still Life” (or “Still Life with Modern Lamp”) and belongs to a series of floral still lifes painted in that year. In the following years he created some still life paintings of flowers and fruits he had bought which were also probably part of this series. The painting referred to above appears stylistically akin to these works.
During the years 1912 to 1914 he produced paintings almost exclusively consisting of a few simple elements arranged next to one another: squares and rectangles of various colour nuances. These would be the first Mondrians now generally recognized as Mondrians; they already show the rhythmic structure of his later work.
In 1919 he began producing grid-based works using only black and white for his
Mondrian was a leading member of the avant-garde. He had a significant influence on other modernist artists as well as on art that is abstract.
Mondrian’s work has influenced the history of Western art and had an important effect on the development of European and American modernism. His most famous work, Broadway Boogie Woogie, was originally created as a cover for a music review in 1939 by Annie Vallotton, who worked with Mondrian during his last years in New York City before his death in 1944. The piece came to be associated with him and has become synonymous with his name.
Towards the end of his life, Mondrian’s works were increasingly abstract and generalizing: he produced landscapes without objects, colour geometries and later white paintings with thick black lines and black, yellow and red lines crossing them perpendicularly. Mondrian called these paintings “Neo-Plasticism”.
The Mondrian House, located in the old town of Amersfoort, was built in 1930 by Neutelings Riedijk Architects. Its design is based on the artist’s last will and testament.
The art deco villa, that over time has become a place where Mondrian’s legacy lives on, is more than just a museum dedicated to his works and life. The museum offers guided tours which take visitors through the different rooms of the house and explain how each section represents a specific period of Mondrian’s life. Visitors can also watch documentaries and read biographies about the artist, who lived here for about 20 years until his death in 1944.”
Mondrian art consists of two-dimensional grids with lines and blocks of color. In the early 20th century, he began experimenting with cubism and Dadaism in his art. He eventually created a unique style that he called Neo-Plasticism. As an artist, he is one of the most influential painters of the 20th century.
Towards the end of his career, Mondrian painted simpler works with bold lines and blocks of color depicting geometric figures and patterns. For example, “Composition C (No. III)” from 1936 consists of four black lines on a white background. Mondrian used black and white because he thought it would create a universal effect for everyone who viewed it. The painting was part of his final series known as “Victory Boogie Woogie,” which included several paintings like this one.
Mondrian’s work has influenced other artists in many ways. Some artists have adopted his style while others have added to or changed his artwork to make it more contemporary.