What should be in a good art gallery? In this article you will read about our top-5 requirements for galleries. Before we answer that question, let’s look at the question of what makes a good art gallery first.
Let’s imagine an average day in an average art gallery. A tourist visits an art gallery, and is thinking of buying a painting by a local artist. The tourist asks the salesperson to describe the inspiration behind the painting they are trying to sell, and if it has any symbolic meaning behind it. The salesperson tells them that the artist is inspired by his surroundings and the things he sees around him, and that his paintings have no hidden meanings behind them.
This is where I am going to stop you right there. If you are working in an art gallery and your answer to these questions is yes, or even maybe, then I am sorry to say that your gallery has failed. An art gallery isn’t just any regular place of business; it’s supposed to be a place of culture and education as well as selling artwork. That being said, let’s move on to our top five qualities that make a good art gallery:
1) A good art gallery will make sure they are selling the right kind of artwork for their clients’
“What should be in a good art gallery?”
The Walker Art Center, designed by Ed Larrabee and built in 1927, has been the subject of some debate recently. There was the issue of the building’s size and placement, but more importantly there is a question about the venue’s current relevance to the Minneapolis community. In this article we will explore what makes a good art gallery and discuss some of the problems with the Walker Art Center.
We sat down to discuss what makes an art gallery a “good” art gallery. We thought about it for a long time and came up with our top 5 requirements:
1) The gallery should give the artist a fair share of money from the sale of the artist’s work.
2) The artist should have some say in whether their work is sold or not.
3) The gallery should be open and honest with the artist about how much money they are making off of the work.
4) When the artist dies, their family should inherit all rights to their work.
5) The gallery should take good care of the artist’s physical art pieces. Actually this one is pretty important. It would be very sad if an artist spent their entire lives working on something and then died and it was destroyed or never found again. So don’t lose track of any of your art pieces!
ART LOVER to ART HATER: My wife and I have a disagreement about this. She thinks if you can’t understand it, it’s bad art. I think the opposite. I think if you can understand it, it’s bad art.
Art lover: A really good artist should be able to create something that you’re unsure of whether or not you like it. That’s what makes it art. If everyone likes it, then it’s only entertainment, not art.
Art hater: Even so-called “bad” art has some kind of redeeming value, such as being pretty or interesting to look at, or inspiring awe in the viewer by way of its sheer size and grandeur. It doesn’t matter whether or not you like looking at a picture of a dog playing cards with a guy in a hat, but it is still worth looking at for that reason alone.
What do you think? What should be in a good gallery? What is your definition of “good” when describing an art gallery? Tell us about your favorite galleries and why they’re good in the comments below!
Good art galleries (1) are free, (2) are easy to access, (3) have a friendly and informed staff, (4) have good lighting and comfortable seats and high-quality sound systems, and (5) show a diverse collection of contemporary art by local artists from around the world.
Meeting these requirements does not guarantee that a gallery will be good, but if it doesn’t meet them it is certainly not a good art gallery.
We asked our readers to tell us what they consider the best qualities of an art gallery. Not surprisingly, the answers we got were all over the map, but they did point to some common themes—and there were a few surprises as well.
We also learned that people have very different ideas about what constitutes a good art gallery. If you spend time on the blogosphere on any given day, you’ll read about curators and art dealers who are “in it for the money” and/or “aren’t real artists.” We’re not going to get into that here; this post is supposed to be about art galleries, so we’re only interested in responses that address those concerns.
So: What makes a good art gallery? Here’s what we found:
When deciding on where to display your art, it’s important to think about what makes a gallery a good art gallery. What are the features that make one stand out from another? Take a look at the Walker Art Center in Minneapolis.
The Walker Art Center was founded in 1927, and is located near the Mississippi River. It’s operated by the Minneapolis Park Board, and has been open every day of its existence. The first director of the museum was Tod Booth, who brought in artists of all kinds to work with youth and adults in local communities, as well as artistic groups to promote their work.
Tod Booth was succeeded by Ruth Anderson in 1963, who helped secure the museum’s location in the renovated power plant of the 1903 Stone Arch Bridge. In 1976 George T. Walker made a substantial donation to the museum which led to its current name.
Artists who have shown at this venue include Andy Warhol and Robert Rauschenberg.
The Walker Art Center offers an annual schedule of exhibitions featuring both local and international artists, as well as public lectures and events designed for adults, children, and families. They also operate two additional locations: Water Works and Camfield Gallery in Minneapolis; and at Zilkha Gallery in New York City.
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