The Approach opens a solo exhibition by John Stezaker.

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Spell, a series of 12 photographic portraits, explores the concept of identity and the construction of self. Each portrait is a composite of two or more images, creating a fragmented and layered representation of the subject. The artist uses a variety of techniques, including photomontage, collage, and digital manipulation, to assemble these images.

The Life Room series is a powerful commentary on the construction of gender identity and the societal expectations that shape it. It explores the tension between the binary opposition of male and female, highlighting the fluidity and ambiguity of gender. The series challenges the rigid categorization of gender roles and encourages viewers to question their own assumptions about gender.

He is a British artist known for his work in film and video, as well as his installations and sculptures. His artistic practice is characterized by a fascination with the manipulation of images and the exploration of the relationship between the real and the artificial. Stezaker’s work often involves the use of found footage, archival materials, and other media to create new narratives and meanings.

Stezaker’s work is known for its exploration of the relationship between photography and film, and its use of found footage and archival materials. His work often features a sense of mystery and ambiguity, inviting viewers to engage with the images and narratives they present. Stezaker’s work is characterized by its use of found footage and archival materials, which he often manipulates and recontextualizes to create new meanings and narratives. He uses these materials to explore themes of memory, identity, and the passage of time. Stezaker’s work is often characterized by a sense of mystery and ambiguity, inviting viewers to engage with the images and narratives they present.

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