2019, at the National Museum of the American Indian in Washington D.C. This groundbreaking exhibition challenged these traditional notions by showcasing the dynamic and diverse nature of Indigenous art.
Table of Contents
The Problem with the Western Canon
The Western art world has long been dominated by European and American art, with Indigenous art relegated to the periphery. This has resulted in a lack of representation and recognition for Native artists and their contributions to the art world. The traditional museum model has perpetuated this marginalization, presenting Indigenous art as a static and unchanging entity, rather than a dynamic and evolving force. The exhibition Interwoven Power: Native Knowledge / Native Art aimed to challenge these traditional notions by showcasing the diversity and complexity of Indigenous art. By featuring works from over 60 Native American artists, the exhibition highlighted the richness and depth of Native art, rather than presenting it as a monolithic entity.*
The Exhibition
Interwoven Power: Native Knowledge / Native Art was a groundbreaking exhibition that took place at the National Museum of the American Indian in Washington D.C.
Native American art and culture take center stage at MAM.
This council is comprised of experts from various fields, including art, history, and Native American studies.
The Early Years of MAM
MAM’s early years were marked by a commitment to showcasing Native American art and culture. The museum’s first collection, which debuted in 1914, was a groundbreaking achievement in the field. It was one of the first Native American art collections in the US, and it paved the way for future generations of Native American artists and collectors.
The exhibition is free and open to the public.
The Power of Native American Art
Native American art has long been a source of inspiration and fascination for many. From the intricate designs on traditional regalia to the vibrant colors of contemporary art, Native American art is a rich and diverse field that reflects the unique cultural heritage of the indigenous peoples of North America.
A New Perspective
The Interwoven Power exhibition offers a fresh perspective on Native American art, one that is both thought-provoking and visually stunning. By organizing the works thematically, the exhibition provides a unique opportunity for visitors to explore the commonalities and differences between the various Native American nations.
Thematic Organization
The exhibition is organized into several thematic sections, each focusing on a specific aspect of Native American culture and identity. These sections include:
Indigenous voices and perspectives shape the cultural narrative of the American Museum of Natural History.
Haa’yuups is a Tlingit Indian from the Tlingit Nation, and he is the first Indigenous person to curate a hall at the American Museum of Natural History.
The Significance of the Northwest Coast Hall
The Northwest Coast Hall is a significant addition to the American Museum of Natural History, showcasing the rich cultural heritage of the indigenous peoples of the Pacific Northwest Coast. The hall features five contemporary works by Native artists, including paintings, sculptures, and textiles.
The Artistic Vision of the Curators
The curators, Todd Caissie and Haa’yuups, brought a unique perspective to the project. Caissie, an art historian, provided expertise on the art historical context, while Haa’yuups, as a Tlingit Indian, brought a deep understanding of the cultural significance of the artworks. The curators worked closely with the artists to ensure that the artworks were authentic and respectful representations of the indigenous cultures. The artworks were chosen for their technical skill, creativity, and emotional resonance.
“I want to honor that feeling of being watched over, of being connected to something greater than ourselves.”
The Power of Intention and Connection
In the world of art, intention and connection are powerful forces that can shape the creative process. Diné fiber artist Eric-Paul Riege’s work embodies this concept, as he weaves together threads of spirituality, community, and personal experience to create meaningful and thought-provoking pieces.
Weaving Together Threads of Spirituality and Community
Riege’s art is deeply rooted in his Diné heritage and the spiritual traditions of his people. He draws inspiration from the land, the animals, and the ancestors, using these elements to create intricate and symbolic patterns. By incorporating traditional Diné motifs and imagery, Riege’s work serves as a bridge between the past and the present, connecting his community to their cultural roots. Examples of traditional Diné motifs include the “yee naaldlooshii” (a type of snake) and the “yee naaldlooshii’s” associated powers and symbolism.