I’ve been experimenting with the use of bleach on classical art. It’s a technique taught to conservators, but it’s not widely used by artists. I’m going to try to write down everything I know about how to do it right, how to avoid damaging the art, and how to integrate the technique into your own work in a manner which causes minimal damage.

TECHNIQUE: clean up as much as possible with water; then use an inexpensive brush and blot the bleach directly onto the surface (see below for more discussion of this); let it sit for 30-60 seconds; then blot gently with a sponge (you can also just put a drop of bleach on a sponge and wipe it around); let dry; rinse off excess with water; let dry again.

Bleaching is a process used to restore an artwork’s original brilliance. It is also a process that has caused damage and destruction to countless pieces of classical art.

To avoid damaging delicate art, we must follow several do’s and don’ts. First, do not use any more bleach than is absolutely necessary. Next, do not apply bleach directly to the surface of the artwork; always dilute it first in a glass or plastic container. Finally, do not allow the bleach to remain on the surface for long periods of time. When using bleach on classical art, these three rules are essential for producing a successful bleaching effect.*

I have been asked many times how I use bleach in my work. To be honest I don’t use it very much and always with great caution. This is because I am aware of the dangers associated with using bleach on art, both contemporary and classical, and try to avoid damaging the work through my use of the chemical.

This article is about how to use bleach in a way that minimizes damage to the artwork and the environment.

Bleaching is a fun, easy technique that allows you to remove color and create transparent effects. But it is also a very powerful chemical and must be used with care. I have ruined many paintings using bleach and I know how heartbreaking it can be. So I’ve prepared this brief guide to avoid doing that to your own work, as well as some tips for safely bleaching artworks you find in museums (so you can get rid of that ugly brown varnish).

The basics:

Bleach is a solution of chlorine in water (in concentrations from 5% to 10%), which is why the acronym for bleach is “Cl”. The amount of chlorine varies depending on the amount of water in the solution (a 5% solution contains 50% more chlorine than a 10% one), but the chlorine level will always be much higher than the amount of water.

You can easily buy a gallon of this stuff at any hardware store or Wal-Mart under various trade names like Clorox, Formula 409 or Easy-Off. You can also try getting it at pool supply stores. To use it you’ll need something to submerge your artwork into. A plastic bucket works fine, but make sure there are no scratches on the inside because these will hold dirt and grease

If you are an art student who has just discovered the magical properties of bleach, congratulations on discovering one of the most versatile, powerful tools in your artistic toolbox. If you are a professional artist who has been using bleach for some time and want to know how to get it to the next level, then this article is for you as well.

Tinting strength: a stronger solution will tone down your colors more than a weaker solution will bring back unwanted whites. How much do you need depends on how light or dark the background color is, and how much toning you want it to do on your subject. A general rule is that if you’re trying to lighten up a darker background color like black, blue or red, then you’ll need more bleach than if you’re painting over a white or lighter background color.

To test out how much bleach you need, try the following experiment: take a small chunk of the same paper as your drawing and paint it with acrylic paint in any color (make sure it’s completely dry first). Then test out different strengths of bleach on different areas of this swatch. You will see from the different effects that 15% will have almost no effect, 30% will have a pretty strong effect but not enough to fully remove

Bleach can also be used to remove some of the oily residue left behind by tape. It may be necessary to first use a solvent such as turpentine on the residue, however. Be careful not to leave too much moisture on the surface of your artwork.

The use of bleach has been controversial in the field of conservation because it can cause damage. Bleach will not dissolve grime or ink, but it can weaken the adhesion between grime and paper and thus can cause flaking. If you must use bleach, try to dilute it as much as possible with water and work in an environment with good ventilation.

If you are working on an entire drawing, you might try using a diluted bleach solution and using a brush to apply it to the area where the tape is. Tape usually leaves an oily residue when removed that can be removed with turpentine or other solvents after the tape is removed. If you are planning to use this method, experiment on a scrap piece of art first to make sure that it does not cause any damage before applying bleach to the actual painting or drawing.

What is Classical Art?

Classical art, also called Renaissance art, is an art movement that began in Florence around 1400 and spread to the rest of Europe. It places emphasis on idealism, proportion, and harmony. The term was first invented by French art critic Jules-Auguste Arnault in his book L’art classique. The movement is divided into three periods: the early (1400-1500), high (1500-1520) and late (1520-1600).

Titian’s Venus of Urbino – 1538

The birth of Classical Art dates back to the end of the Middle Ages. The Renaissance began with new ideas and a renewed interest in the literature, philosophy, science and art of ancient Greece and Rome. Artists incorporated classicism into their work in order to create a sense of order and harmony. They believed that through order comes beauty. One way this was achieved was through symmetry; for example in symmetry of colour or composition. The compositional elements of perspective were also used to create harmony. Perspective has a unifying effect on a painting that helps to create unity within its elements such as colour, shape, space and texture.

Artists also tried to capture real life with all its glory and imperfections;